#eye

C P R V
industrial design practice

studio@cp-rv.com
+33 6 12 77 06 75 (FR)
+44 7 761 668 626 (UK)
instagram



#eye



information

C P R V
industrial design practice
studio@cp-rv.com
+33 6 12 77 06 75 (FR)
+44 7 761 668 626 (UK)
instagram
product

ASO, 2024

KGT Wall Unit, 2023

RE-SET, 2023

SPTL, 2022

KGT raw, 2022

KGT, 2021

VIRAGE, 2021

ON & ON, 2021

UNITÉ, 2020

WDPK 83.7, 2020

DRY IKEBANA, 2019
lighting

APLAT, 2023

UH70, 2023

COURRIER, 2021

furniture

TENSILE, upcoming
AZUKI, 2024

UH350 stool, 2021

UH350 perch, 2021

UNITÉ, 2020

spatial

DAMYEL, upcoming
おさめる  つける  やすむ, 2024

ENSEMBLE, 2021

PROTOTYPOLOGY 350, 2021

CPRV industrial design practice is a collaborative project run by Camille Paillard and Romain Voulet, working between London and Marseille. Formed by designers gathered together from different backgrounds, the creative office designs product, lighting, furniture, interior spaces and all things to live with. The studio’s body of work is informed by an intuitive understanding of contemporary life, sensitive to context of use and always looking for a balance between materiality, simplicity and usefulness in its designs.
KGT Wall Unit
UTIL, 2023, Portugal

We imagined the KGT Wall Unit as a flexible assembly of elements where KGT storage box becomes drawer; a single drawer shelf unit can change to a 6 drawers cabinet; vertical orientation can turn into horizontal. An unusual design thinking comes into place, where the small dictates the whole. Starting from one element, KGT which was originally designed as a single container, to create a system of blocs, wall mounted drawers and shelves units. Elements can be interchanged, added or moved to offer some level of flexibility and choice. An intended gap left between each drawer offers visual lightness and highlight each of the KGT installed, a reminder that the storage box can still be removed from the unit and used on its own.

photography © Max Verret, Manuel Amaral Netto

APLAT
Art-o-rama, 2023, France

APLAT is a lamp primarily made of paper, its base and shade are folded pieces of lightweight sheets. The use of an honest material such as paper is a fairly simple solution for a lamp. We think that one of the best light atmosphere is often created by simply putting a piece of paper in front of a light source, it produces a beautiful and warm light that reminds us of candle illumination. Here, APLAT uses paper as a light diffuser as well as a product architecture and visual language. Folds and creases are carefully dosed to give the lamp its structure and shape, additional elements, such as foot and handle, are designed to underline secondary functions.

With the APLAT lamp, we are developing a proposal for an object produced at a reasonable scale, where beauty in imperfection is revealed by its artisanal type of manufacturing. A collaboration between the digital, the manual and the automated; made by hand using self-made tools combined with new digital techniques such as 3D printing and computer assisted die cutting, in a small batch and with materials found locally. We are using standard light source parts, which means that elements can be re-placed or re-used. The lamp can be folded flat and sent by post with an easy home assembly. We wanted to shape the object with only a few folds and manipulation of one sheet of paper, like a piece of clothing made from flat surfaces to form a volume once assembled or wore. The inspiration for APLAT is quite graphical and maybe a bit typographical, in a sense we are trying to create a visual alphabet of paper light that is thought in two dimensions and realise as a three dimensional object.

photography © Max Verret

RE-SET
Samsung, 2023, UK

We created a vision exercise for Samsung, reflecting on the idea of repurposing the brand’s old devices or materials and transform them into new products or services that will have a positive impact on people and the planet. The European Commission report that the amount of waste electrical and electronic equipment, widely known as e-waste, generated every year is increasing rapidly. It is now one of the fastest growing waste streams. Currently, only about 30% of e-waste is sent to appropriate recycling facilities. Our research highlighted that by improving the collection, treatment, and recycling of electrical and electronic equipment at the end of their life, we can promote sustainable production and consumption while also increasing resource efficiency.

We designed Re-set as a series of tools for individuals and professionals, such as independent repair shops as well as recycling facilities. The aim of the project is to help repair electronic devices and improve the recycling process by disassembling e-waste into parts using hand held tools. The collected parts are then classified by material group and can be either replaced, reused or recycled into new products. The tools are made from discarded Samsung products and packaging, using simple transformation our thought is to re-create things using as little energy as possible; these include: gloves made from recycled plastic packaging, a sorting tray made from cut-out parts of Samsung Galaxy Book, a small plastic spatula made from an S-Pen, a mediator made from Samsung smartphone back covers, a pair of tweezers made from recycled aluminum, and screwdrivers made from circuit boards. The resulting aesthetic is quite unique to each Re-set tool.

photography © studio CPRV

UH70
private commission, 2023, France

A one meter long floating handle standing on its foot, made from elementary materials such as oak and steel, shaped in a very simple way, delivering an object without excess, vibrant and long-lasting. The light source is a linear LED bulb, designed to last and to be replaced over time. Each part of the lamp uses specific yet simple manufacturing processes, allowing parts to be made locally and by small businesses — however the apparent simplicity of the lamp requires quality craftsmanship as the UH70 lamp is an object where every action of the craftsman is visible and revealed.

To celebrate the 70th anniversary of the Unité d’Habitation in Marseille, we were invited by Maison Mirbel to create an object inspired by the building’s architecture and spirit. Taking cues from the entrance door handles of the building’s apartments, UH70 is sculpted and shaped with a certain materiality that invites you to touch and turn the lamp, allowing the light to be directed on surfaces and objects. The project takes part of an ongoing series of collaboration between the client and designers that aim to produce a selection of curated original work.

photography © studio CPRV

C P R V


CPRV industrial design practice is a collaborative project run by Camille Paillard and Romain Voulet, working between London and Marseille. Formed by designers gathered together from different backgrounds, the creative office designs product, lighting, furniture, interior spaces and all things to live with. The studio’s body of work is informed by an intuitive understanding of contemporary life, sensitive to context of use and always looking for a balance between materiality, simplicity and usefulness in its designs.





contact


C P R V
studio@cp-rv.com
+33 6 12 77 06 75 (FR)
+44 7 761 668 626 (UK)

instagram      linkedin

gallery store    ︎︎︎︎


This is our online gallery store, selling products designed by CPRV. It will be an evolving selection of items for sale, ranging from one off’s, prototypes, project book, limited editions and other studio material. We are a small team and human, so please allow for 2 to 5 days before your order is shipped. If you have any questions, please do not hesitate to contact us.
partners


Camille Paillard, practiced as designer at JLK DS studio and Tom Dixon, where she worked on bespoke furniture as well as on hotels, restaurants and private interiors; for clients such as Tom Dixon, Philippe Malouin, a:tifakt, Hennessy and De Sede. Prior to this, her experience as designer included positions at Front Design, and Philippe Starck. She studied design for luxury and craftsmanship at ECAL in Switzerland, where she graduated in 2012.



Romain Voulet, former designer at Industrial Facility, under Sam Hecht and Kim Colin, where he created home furniture, office systems and things to live with; for industry pioneers such as Herman Miller, Muji or Mattiazzi. He previously practiced at Youmeus Design where he designed everyday objects for clients such as Panasonic, Joseph Joseph, Nokia and Kenwood. He studied industrial design at EID in the South of France, where he graduated in 2011.




clients


Licht Gallery, UTIL, Ligne Roset, Cinna, LG, Samsung,  Damyel, Haier, Kolektiv Gallery, YSL, Doulton, Baccarat, Loose Joints, Azur, B—Line




studio@cp-rv.com
+33 6 12 77 06 75 (FR)
+44 7 761 668 626 (UK)
instagram        linkedin



gallery store   
︎︎︎︎

This is our online gallery store, selling products designed by CPRV. It will be an evolving selection of items for sale, ranging from one off’s, prototypes, project book, limited editions and other studio material. We are a small team and human, so please allow for 2 to 5 days before your order is shipped. If you have any questions, please do not hesitate to contact us.

partners

Camille Paillard, practiced as designer at JLK DS studio and Tom Dixon, where she worked on bespoke furniture as well as on hotels, restaurants and private interiors; for clients such as Tom Dixon, Philippe Malouin, a:tifakt, Hennessy and De Sede. Prior to this, her experience as designer included positions at Front Design and Philippe Starck. She studied design for luxury and craftsmanship at ECAL in Switzerland, where she graduated in 2012.

Romain Voulet, former designer at Industrial Facility, under Sam Hecht and Kim Colin, where he created home furniture, office systems and things to live with; for industry pioneers such as Herman Miller, Muji or Mattiazzi. He previously practiced at Youmeus Design where he designed everyday objects for clients such as Panasonic, Joseph Joseph, Nokia and Kenwood. He studied industrial design at EID in the South of France, where he graduated in 2011.

publications
Switch: Case Studies article by Tsuchida Takahiro, sep. 2024
KGT, project book, nov. 2022
Courrier, project book, sep. 2021
WDPK 83.7, paper, mar. 2021
Unité, project book, sep. 2020
Minimalissimo: WDPK 83.7 article by Carl MH Barenbrug, apr. 2020


exhibitions
おさめる つける やすむ, Licht gallery, solo show, summer 2024
A Calm Place, 3 Days of Design, Objective Studies, Aso & Unité daybed, jun. 2024
Palmo y Medio, Nave Seis, Paraluz, may. 2024
Canvas, Milan Design Week, Emil Milano, Canvas, apr. 2024
Art-o-rama, Aplat, sep. 2023
Prototypology 350, Kolektiv gallery, solo show, spring 2021
#302: Exhibition Series, Kiosk NY gallery, Courrier, apr. 2021
Family Guys, Tape vase, summer 2020
Touch Wood, Dray Walk gallery, Dry Ikebana, oct. 2019


awards
Iconic Awards, Interior Products, winner, KGT Wall Unit, apr. 2024
Prix Région Sud, Art-o-rama, finalist, sep. 2023
Wallpaper* Design, Best Metal Morphosis, 1st prize, KGT, jan. 2022
Dezeen x LG, Oled's Go, finalist, Virage and ON & ON, apr. 2021
Cinna Révélateur de Talents, Cinna - Ligne Roset, finalist, Courrier, feb. 2020